Howzit to all 29 new readers who've joined this week! Last year, on one of our weekly calls with the TPE tribe, someone mentioned they'd bought a new book by a photographer called Eric Meola. Eric has a Lifetime Achievement Award from the PPA, a career that spans 5 decades and has photos in the permanent collection at George Eastman House 2025 Photo EventsThere are only 3 spaces left for the Boston TPE weekend and just 5 for the meet-up in Vienna. At past events, it’s been incredible to see photographers come together—sharing ideas, sparking inspiration, and proving that photography is about so much more than social media likes. Spots are limited, so don’t miss this opportunity to push past creative roadblocks and deepen your passion. Reserve your place today! Photographer Of The WeekEric Meola Eric Meola is an acclaimed American photographer best known for his vibrant use of color, striking landscapes, and evocative environmental portraiture. Born in 1946, he studied at Syracuse University before launching a career that would see his work featured in major publications and advertising campaigns. One of his most famous contributions to photography is his work with Bruce Springsteen, particularly the iconic 1975 cover shoot for the “Born to Run” album. Meola’s photographic style is characterized by bold, saturated colors and dramatic compositions. He has received multiple awards, including the American Society of Media Photographers' Advertising Photographer of the Year award. His work has been exhibited in institutions such as the George Eastman Museum and the National Portrait Gallery. There is an essay on the website where Eric talks about Ernst Haas.
I remember our first day in Tokyo—torrential rain. Ernst, in his singsong way: “okay everybody—put on your rain suits. We’re going out in the rain like little ducks to photograph!” Ernst wanted you to dig deep, to learn the culture and become a part of the environment. We stayed in a monastery on top of Mt. Koyasan with magical forests, photographed a Noh play at night in Tokyo, visited countless Shinto shrines and Buddhist temples, visited the “bowing deer” in Nara, enjoyed the rice planting celebration and beautiful gardens in Kyoto. It's nuggets like these which play such an important role in becoming a more connected photographer. Weekly Challenge The three most popular uploads this week were: Thanks to everyone who uploaded images! Community RecapThere's been some great photography and discussion going on in the TPE tribe this week. Get a seven-day free trial which includes classes, and previous interviews with professional photographers here Thanks so much for taking the time to be here today. Have a great weekend. Alex |
I'm Alex, the creator of 'The Photographic Eye' on YouTube, sharing my 30-year photography journey. I'm here for photographers who want to think differently about their craft. Every Saturday, I send out 'The Saturday Selections', a newsletter with a unique, actionable insight to help you approach photography as an art, not just a skill. Ready to see photography in a new light? Join 'The Saturday Selections' and let's redefine your photographic eye together.
Howzit! I was editing my latest video this week—the one about why some photos just feel magical—and it got me thinking about something that's been bothering me for years. You know that moment when you're looking through your old photos, and you come across one that's technically perfect? Sharp focus, proper exposure, textbook composition. But as you stare at it, you feel... nothing. It's fine. Maybe even good. But it could have been taken by anyone, anywhere. There's no soul to it, no story,...
Howzit, This past week, I’ve been talking with photographers again — some in the TPE Tribe, others who reached out after watching my latest video. And one thing keeps coming up: “I know how to take a sharp photo. But I don’t feel anything when I look at them.” Sound familiar? You’re not alone. A surprising number of photographers — especially those who’ve been doing this for years — are quietly asking the same question: Why does my work feel hollow, even when I get it technically right? It’s...
“The camera sees more than the eye, so why not make use of it?” – Edward Weston The Photograph I Wish I’d Taken Last week, while putting together the Friday roundup of my favourite photographs from the TPE tribe, one image stopped me in my tracks. It made me wish—deeply—that I’d been the one to take it. Mark Scheuern There are certain subjects I’ve always felt drawn to, and two of them are urban environments and industrial frameworks. So when I saw this photograph by Mark, it hit me hard....